14 things to read about Mad Men


Mad Men is reaching its end and as the airing of the last episode comes closer, I feel more and more like Don Draper: I wonder what will become of my future, my days are meaningless, emptiness invades my life.

This series is one of those (few) series you can watch again and again and find new meanings and nuances that the first time had gone unnoticed. Matthew Weiner was able to slide plot keys in seemingly innocent but loaded with content places. Clothes on the floor, a shelf that seems to collapse, a wine-stained carpet. Everything means something.

Throughout these years hundreds of articles have been written on the series, every millimeter of each frame has been analyzed with the hope of finding out who is Don Draper. Instead of writing another article, I have decided to select some interesting pieces and interviews I’ve been reading over these past seven seasons. I have included some articles that I wrote in the blog too.

edward-hopper-wallpaperEdward Hopper’s influence on the aesthetics of the series
Alienation, anxiety and loneliness of Hopper’s paintings marked the cinema of the 40s, especially Hitchcock (as seen in Rear Window). The aesthetics of the American painter returns to our screens through Mad Men. A good analysis of the numerous references written by Carlos Reviriego.

8003_G27_fr46.tifFrom the beginning
Mad Men creators talk about the evolution of the series, from the first drafts until now.

About tales and short stories in the structure of the script
A great article by Enrique Vila-Matas about the fragmentation of the stories inside the series, where each moment can be appreciated as an independent story.

The movies that defined Mad Men
The films you have to see to understand the visual aesthetics of the series. North by Northwest, The Apartment, Vertigo… As recommended by Matthew Weiner.

The decorations, the furniture and the interior design
An analysis about most iconic decorations of the series, their meaning on the story and their relation to the characters through their evolution. This video is great too.

16 things you can learn thanks to Mad Men
Keep a change of clean clothes in your office, be mysterious, pretend to shoot your neighbor’s pigeons to release stress, and other lessons by the Draper family.

Captura de pantalla 2015-04-27 a la(s) 00.27.26Sally
Matthew Weiner and Kiernan Shipka (Sally in the series, what a great character), talk about what it means to grow up on the screen. 

Behind the cameras
Great photographs James Minchin taking during the filmings.

The costumes
Janie Bryant, costume designer, explains the details behind some of the most iconic outfits (there are just so many).

120326_mad-men-13_p323 copiaIt’s toasted’
The real ads that were published in The New Yorker during the time that the series takes place.

The editorial by Annie Leibovitz
A couple of years ago, Annie Leibovitz photographed January Jones and Jon Hamm as Betty and Don for Vanity Fair. The result is just astounding

don-draper-women-00The women of Don Draper
A walk through all the feminine characters in Don’s life, in illustrations.

madmen-annieleibovitz3Life cost
How much would you have to pay to live in an apartment like Peggy’s today? And for the three Martinis they have at lunches with clients? Here you have a price index to get an idea. 

dondraperinfernoWhat’s reading Don Draper?
An exhaustive list of every book that has appeared on the series. Included those on the shelves whose titles you can barely distinguish.

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A day in the life of a ballerina


You know someone is an artist when what they do, besides being extraordinary, seems effortless. I’m marvelled everytime I see Maria João Pires sliding down the piano keyboard as if playing Chopin was the most natural thing in the world, I love reading Gabriel Garcia Marquez and realizing that really was the way to write that sentence, and each time I see Tamara Rojo floating across the stage, I wonder if she discovered how to cheat gravity. We rarely appreciate the hours dedicated to master that ‘presto agitato’ from the third movement or the impossible ‘fouettes en pointe’ in that ballet.

A few months ago I had the pleasure of meeting the company Les Ballets de Monte Carlo for the premiere in Madrid of ‘Lac’, a modern version of ‘Swan Lake’ at the Teatros del Canal. Before the performance of the ballet, I attended a rehearsal with two dancers (from another company that acted later), where I saw how they repeated dozens of times a single dance move until every detail was controlled. The result: perfect –though they certainly continued pursuing their perfection.

Among the dancers of ‘Lac’ there was a young Madrid-born dancer, Anjara Ballesteros, who played the important role of the White Swan. Her portrayal was magnificent, and soon as the piece was finished, I contacted Anjara’s press team to interview her. Here you have a behind the scenes vision, from within the rehearsal rooms, of the daily life of a dancer. Don’t miss her Instagram account (from where the photos of this post are) to know what it means to be a ballerina. Training, effort and fulfilled dreams.

Interview with Anjara Ballesteros

Monica: When did you discover your passion for ballet?
Anjara: I do not remember an exact moment, as even when I just was three years old I took every opportunity to make a wish to want to be a dancer. My mother still has my letters to Santa Claus in which I only asked him to learn how to dance and colorful bobby pins :)

Could you tell us about your career?
When I was nine years old I was granted my wish, and I started dancing in Royal Conservatory of Madrid, where I had some extensive studies in flamenco, to theater or anatomy. l specialized in Classical Dance and I studied with Eva Lopez Crevillén, Ana Baselga, Lazaro Carreño, among others, and started working with choreographers such as Tony Fabre. At the end of my studies I joined the National Dance Company (then Headed by Nacho Duato) for three years. After that, Jean Christophe Maillot offered me a contract at the Ballets de Monte Carlo, and I’m still here after seven years in which I have felt from the first second that dancing is exactly as I had ever wanted.

What has been your most special moment on stage?
I have very special moments in my mind, but when my parents are in the audience every second on stage means much more to me.

Which is your training routine?
I like to start with a good Colacao with bread or yoghurt with fruit and cereals, then shower, warm-up exercise, class, rehearsal, shower, lunch, warm-up exercise, rehearsal, shower, eat something sweet, and home! I like doing pilates and girotonic, but it varies depending on the free moments that I find in my routine.


How many hours a day you rehearse?
We rehearse for six hours in a normal working day, but studies are open for a couple of hours more in case we need to use them.


What do you do to unwind?
I love spending time with my family and friends, is the best way to disconnect, but it is not always possible, so cooking, drawing, walking, shopping, or navigating online helps me relax and unwind.

How do you prepare yourself before going on stage?
In the last minutes before going on stage I assure that everything is in place, the details of costumes, props, I prepare my body, review corrections, try a few steps, take a deep breath and let my mind think of nothing more than what I will do in the next two hours. It’s almost like a meditation exercise.


What goes in your mind when you’re dancing?
This question is double-edged !! Our director JC Maillot jokes sometimes that we shouldn’t do our grocery list while dancing. lol … I’m good, I like to immerse myself completely in roles that I play and keep my mind focused.

Which are your favorite compositions for ballet?
Among my favorite ballets are Crystal Pite Dark Matters, Petit Morte, Bella Figura by Jiri Kylian, Walking Mad by Johan Inger, White Darknest, Herrumbre by Nacho Duato, La Belle, Cendrillon, Faust, Lac Casse-noisette Compagnie Jean -Christophe Maillot, and what was my first favorite ballet, Romeo and Juliet by Kenneth MacMillan.

Which character would you like to play? 
I have always wanted to play Juliet, it is a role that I haven’t done so far and it seems so complex and so fascinating in which I’m wishing I could spend all my energy.


Do you prefer classical ballet or modern dance?
I prefer what passionates me, I do not care about choosing modern or classic, but about what motivates me and transports me.

What dancers do you admire?
I deeply admire Bernice Coppieters, a dance star with a passion and a breathtaking quality, who while being at the top does not prevent her to show her self more human self and remains approachable. For me it’s incredible to be around someone like her.

What is the best advice you’ve been given?
My parents often give me good advice, and one that is probably the best: ‘eat well’. Without health you won’t have the strength to fight for your dream.


What advice would you give to a future dancer?
Keep searching for professional advice, and have in mind the phrase ‘the devil is in the details’. It is a good phrase for this profession. Often it is just a detail what drives us and what stops us, so I would say that the most important things are caring about the details and finding what makes you different from the rest, which can come disguised as flaw but turn into a virtue.

What is the best about being a dancer?
The best thing about being a dancer, for me, is the privilege of daydreaming.


Quick questions
– Favorite movie about ballet: The film made for Pina Bausch (Pina)
– The TV series you can’t miss: Right now I don’t follow any, suggestions are welcome!!
– Your ideal city: Madrid.
– The book that you usually re-read from time to time: Any by Paulo Coelho.
– The song you can listen to over and over again: “Love is a Losing Game” by Amy Winehouse.
– Your favorite restaurant: In Madrid, Yakitoro and the Mercado de San Anton, but the place that steals my heart is Aprazível in Rio de Janeiro.

anjara-ballesteros-bailarina2anjara-ballesteros-bailarina1photo by Alice Blangero

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